Premiere Pro is my primary NLE these days and its multi-camera editing routines are a joy to use. Since you are working within an NLE, you can also make these camera angle cuts at a slower or faster pace and, of course, trim the cuts for greater timing precision. Under the best of circumstances, you can play the sequence in real-time and cut between camera angles in the multicam viewer, much like a director calls camera switches in a live telecast. While having a specific multicam feature in your NLE isn’t required for cutting these types of productions, it sure speeds up the process. In addition, if they also shoot in 4K for an HD delivery, then you have the additional ability to cleanly punch-in for even more framing options. Directors will typically record these sections with two or more cameras at various tangents to the subject, which makes it easy to edit for content without visible jump-cuts (hopefully). As the cost of camera gear has come down and DSLRs became capable of delivering quality video, interview-based production now almost always utilizes multiple cameras. This includes documentaries, commercials, and corporate video. ![]() Over the years, a lot of the projects that I’ve edited have been based on real-person interviews. ![]() Understand what kind of storage you need for video production, help choosing RAID settings, how to gage your storage needs, and more. Lots of good material here.Ĭlick through to the whole tutorial and be sure to check out our FAQ article on storage and RAID for non-linear video editing. ![]() ![]() Here's a pro's tutorial on editing footage from multicamera clips in Adobe Premiere Pro.
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